Gae Webster
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artprints

Artist proof prints

  • silence wraps the shore

    Each time I was having treatment I painted a work, which helped me switch off from where I was and go somewhere magical. These are all watercolour on paper and then done as a giclee art print.
  • Tumbling river - the gentle annie

    Each time I was having treatment I painted a work, which helped me switch off from where I was and go somewhere magical. These are all watercolour on paper and then done as a giclee art print.
  • soft rain veils the land

    Each time I was having treatment I painted a work, which helped me switch off from where I was and go somewhere magical. These are all watercolour on paper and then done as a giclee art print.
  • Hidden bay

    Each time I was having treatment I painted a work, which helped me switch off from where I was and go somewhere magical. These are all watercolour on paper and then done as a giclee art print.
  • Karioitahi beach

    Each time I was having treatment I painted a work, which helped me switch off from where I was and go somewhere magical. These are all watercolour on paper and then done as a giclee art print.
  • linger here

    Each time I was having treatment I painted a work, which helped me switch off from where I was and go somewhere magical. These are all watercolour on paper and then done as a giclee art print.
  • linger here

    Each time I was having treatment I painted a work, which helped me switch off from where I was and go somewhere magical. These are all watercolour on paper and then done as a giclee art print.

open edition art prints

Giclee art print - archival inks and papers - available in a4, a3, a2, a1 - please contact me if you would like to place an order - thank you
  • the scent of the eucalyptus the sound of the river - gwp5

    The development of ideas from the Eucalyptus series. The places in which they grow, the rivers, billabongs and creeks. The movement of energy around the river pebbles, which is part of the Aboriginal beliefs about the Eucalyptus – that it moves and shifts negative energies.
    The Scent of The Eucalyptus the Sound of The River – gwp5
  • the heat of the day, the sound of the river, the scent of the eucalyptus - gwp6

    The development of ideas from the Eucalyptus series. The places in which they grow, the rivers, billabongs and creeks. The movement of energy around the river pebbles, which is part of the Aboriginal beliefs about the Eucalyptus – that it moves and shifts negative energies.


    Open Edition Printa3 $86a2 $144a1 $276
  • the sense of stillness - gwp16




    Open Edition Printa3 $86a2 $144a1 $276
  • a little rain must fall - gwp31




    Open Edition Printa3 $86a2 $144a1 $276
  • the breeze playing in the paddock - gwp32




    Open Edition Printa3 $86a2 $144a1 $276
  • Moon kissed - gwp34




    Open Edition Printa3 $86a2 $144a1 $276
  • laughing wind, ebbing tide- gwp43




    Open Edition Printa3 $86a2 $144a1 $276
  • the sea breeze plays with the land - gwp73




    Open Edition Printa3 $86a2 $144a1 $276
  • a welcome summer rain - gwp73




    Open Edition Printa3 $86a2 $144a1 $276
  • a winter day - gwp77




    Open Edition Printa3 $86a2 $144a1 $276
  • strands of the woven land - gwp86




    Open Edition Printa3 $86a2 $144a1 $276

limited edition art prints

Giclee art print - archival inks and papers - available in a4, a3, a2, a1 - please contact me if you would like to place an order - thank you
  • the land basks in the moonlight

    Limited Edition
  • unspoken poetry of this place

    Limited Edition
  • unspoken poetry of this place

    Limited Edition
  • the wild moors and hidden lochs

    Limited Edition
  • winter in the wild and hidden places

    Limited Edition
  • the day darkens as the rain comes

    Limited Edition
  • under the tempest sky

    Limited Edition

fibre series open edition art prints

Giclee art print - archival inks and papers - available in a4, a3, a2, a1 - please contact me if you would like to place an order - thank you
  • the moon walks soft upon this land

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
  • only the moon calls the ebb and flow

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
  • of moon and trees

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
  • daylight has done its last

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
  • from here i can see the sea

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
  • of this green place, the falling leaf, the standing tree

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
  • sister moon be my guide in your blue shadows i would hide

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
  • distant blue mountains

    The Fibre Series – These works are all slow stitched (everything done by hand), they use vintage and scraps of recycled fabrics. The stitches are a form of mark making as well as function to hold the pieces in place. As a young child I was fascinated with fibre and fabrics, it is a medium that I still can’t resist. Slow stitching has become an important part of my art practice, the free use of the thread and needle, beautiful fabrics and scraps ends up being an abstraction of the works I so love to paintopen edition printA3+ $137
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